Dennis Danell (1961-2000)

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Dennis Danell (1961-2000)

Dennis Danell formed Social Distortion in 1979 with frontman Mike Ness while attending high school together. Originally the group's bassist, Danell eventually switched to guitar before the band recorded their full-length debut album. His steady, melodic playing helped define the group's signature jangle on such albums as Mommy's Little Monster (1983), Prison Bound (1988), Social Distortion (1990), Somewhere Between Heaven and Hell (1992) and White Light, White Heat, White Trash (1996). After Social Distortion went on hiatus following the release of Live at the Roxy in 1998, Danell produced numerous local bands at the group's recording studio, Casbah, in Fullerton, California. His production credits included Fanmail (BEC Records), Value Pac (Four Door Entertainment), Fraidy Cats (Bulletproof Records), The Deluxtone Rockets (Tooth & Nail Records), and Rock Star Barbecue, the debut artist on Danell's new independent label, Masterpiece Records. By 2000, Danell was quickly becoming a much sought-after producer in the Orange County area.

Accomplishments:
After the release of Prison Bound, Social Distortion left Restless Records and signed with Epic. The band then returned to the studio around the summer/fall of 1989, with producer Dave Jerden, to begin recording their self-titled third album, which was released in 1990. It was Social Distortion's first album that was not financed by the band. The album includes the singles "Ball and Chain" and Story of My Life as well as a cover of Johnny Cash's Ring of Fire. The self-titled album fared better than both Mommy's Little Monster and Prison Bound and is often credited as Social Distortion's best-known work, with sales continuing 28 years after its release. It is also sometimes cited as among the best rock albums of 1990—the album is said to "split the difference between rockabilly and Ramones-style punk."

Charity: 
While Dennis didn't directly work with any charities, he did suffer from a similar condition.

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